supported by 11 fans who also own “Season of Sorrow”
Mesarthim has a magical way of creating the most wonderfully emotive music. The Great Filter is deeply genuine, grand, and emotional. It cycles through intensity and solemnity, bringing me on a perilous yet worthwhile journey to a dark celestial haven lightyears away. Septembre
supported by 10 fans who also own “Season of Sorrow”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs... Jordan Vauvert
supported by 10 fans who also own “Season of Sorrow”
I was always intrigued by this group's choice of album covers, it isn't every day that you see high quality space photos in this genre despite the rise of "cosmic" black metal. But the music blew me away, this sounds like Austere took the atmospheric spacey route. (I will assume it's a coincidence that both bands are Australian) porcelainheart-